陳川端(b.1994),以影像作为媒介,起始于个人情感与经历的纪实,关注人与自然的联结与现代生活里的呼告,对自然科学与超自然现象着迷,尤其偏爱虚构的事物。

创作摄影书《Restrained Orders》、《Belly of The Giant Serpent》、《Restorative Topophilia》、《Swoosh Swoosh》;入选TOP20·2019 中国当代摄影新锐、获“2024 三影堂摄影奖(TSPA)大奖”;曾举办个展「旷野呼告」、「这片土地使我痊愈」、「克制秩序」、「无根据颂」等。

现作为创意人 / 艺术家工作并生活在中国,育有两只猫咪。


Chen Chuanduan (born 1994) uses imagery as a medium, beginning with documentary works rooted in personal emotions and experiences. He focuses on the connection between humans and nature, as well as the cries within modern life. He is fascinated by both natural science and the supernatural phenomena, with a particular penchant for the imaginary and fictional elements.

He has independently published the photography books titled Restrained Orders, Belly of The Giant Serpent, and Restorative Topophilia. Chen Chuanduan’s work was recognized among the 'TOP20·2019 Emerging Contemporary Chinese Photographers.' He has also won the '2024 Three Shadows Photography Award (TSPA).' Moreover, he has held solo exhibitions, including Voice in the Wilderness, Rootless Hymn, This Land Heals Me, and Restrained Orders.

Chen currently works and lives as a creative professional and artist in China.